Εμφάνιση αναρτήσεων με ετικέτα human relations. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα human relations. Εμφάνιση όλων των αναρτήσεων

Πέμπτη, 8 Ιανουαρίου 2015

Ida (2013)




Director: Pawel Pawlikowski
Writers: Pawel Pawlikowski, Rebecca Lenkiewicz 
Stars: Agata Kulesza, Agata Trzebuchowska, Dawid Ogrodnik
Production: Poland | Denmark | France | UK
Duration:  82 min

Ida is a strong, uncompromising film, whose immense power and raw beauty are indisputable. This is a winner film. Magnetic, raw, real. For its direction, its content, its everything. Yes, "Ida" is my favorite 2014 film and a masterpiece. 

1960s, Poland. Anna is a young novitiate nun and about to take her vows. She was brought up by nuns and was nurtured with Christianity. Before she takes the ultimate step she is urged by her superior to visit her last living relative, her aunt. Wanda is a formerly powerful judge of the regime, now an alcoholic and full with guilt. She meets with Anna and unfolds the secret story of her real identity. Anna is Jewish and her name is Ida. 

A lost secret family chronicle will be revealed to Anna - now Ida - frustrating her innocent and pure soul. She will decide to follow Walda on a journey of discovering her past, what happened to her parents and why her aunt is so depressed. 

This poetic depiction of the lost past of Ida guides the narration in a delicate and profound way. The subtle direction, infused with an amazing composition of frames, together with the profound silence offer few clue elements that are mostly hints on where the path of Ida is going in life. 

Pawlikowski chooses to show with his frames - through the cameras of the talented cinematographers Ryszard Lenczewski and Lukasz Zal - an unprecedented intensity in those two women's lives. This films has such an integrity, it knows what is doing and where is going, and this is one of the things that add up to its greatness. 

The framing of the shots plays a crucial role in the poetic illustration of life and especially of Ida's life. Concealing or intensifying details or even changing the center of attention has unexpected results. You feel there present, but not in the way you think. You feel you see more than you are shown, you sense everything that happens on screen, the characters' pain, feelings and so much more. You get lost but this is the magic of it. 

Ida will be faced with life itself, her choices and dreams, her own destiny. Wanda will be faced with her own past and the guilt she carries for years about choosing the regime instead of her family. Redemption will struggle to find its way through those women's lives and love will unfold again in order to transform the painful past. 

Both Agata Kulesza and Agata Trzebuchowska, the first experienced and the second in her acting debut, synchronize their performances creating a harmonic but intense acting duet. The crudeness expressed with the extraordinary black and white photography helps them achieve what I call symmetrical beauty in the film. They fill each other and their relationship. With the determination of the one and the submission of the other, those two characters evolve, creating something unique. 

This magnetic film talks about the power of choice, the burden of guilt and the darkness of lost secrets. It opens a dialog about desperation, devotion but above all about human connection beyond any kind of religion. Religion is just a shelter, a cover, something to help people define their identities. But people give power to people. And actions fuel people's lives. And we shouldn't forget this. 





Τετάρτη, 9 Ιουλίου 2014

Castaway on the Moon (2009)

Director: Hae-jun Lee
Writer: Hae-jun Lee (screenplay)
Stars: Min-heui Hong, So-yeon Jang, Jae-yeong Jeong
Production: South Korea
Duration: 116 min
Imdb score: 8,2

I found out about this film from some friends and from the moment they described the story, I have to tell you I was hooked. I wanted to watch it very badly. Based in South Korea, the first scene introduces us to a heavy atmosphere. A man is on a bridge calling with his bank. They inform him that he ows a great amount of money and that reassures him about his decision to commit suicide. But the story doesn't end here, it has actually just begun.

Some hours later, he will find himself in an island into the city itself, a deserted place, where all his attempts to find help go futile. Soon, he will discover the beauty of it all; he is a castaway on a place where nobody can find him and suddenly all this sounds very appealing. His daily attempts and struggles to find shelter and food give him exactly what he needed, hope. 

Min-hee Hong appears to be weak and vulnerable in the beginning of this story, but experiencing this intense and unique trip through loneliness and survival, he proves to be more than persistent. During his struggles he will get a strange message from an even stranger observer. Of course somebody would see him, he is after all castaway in his own city. The mystery person will follow his every step and will want to help him after all. But the stubbornness he has developed and the need for hope are stronger than any kind of external help. Soon he will realize how necessary the procedure of survival is to him, but also the communication with this strange person. 

The mystery person is being introduced to us in the beginning as something different. You keep wonder what has this girl have to do with our story, but soon you realize how roughly connected she is to our castaway. A young girl trapped in a virtual world, locked into her own universe, suddenly sees some light in her dark room when the image of this weird "alien" - as she calls him - enters her extra macro lens from her tall window. 

Through the direction of Hae-jun Lee that lingers between deep drama and light comedy, the film's atmosphere is being intensified with sorrow and grief by the long, slow face shots of the two characters. Hope and salvation though, are intelligently hiding behind every dialog or scene, only to re-appear in times when most needed. This unique story speaks truthfully, enslaving anyone that decides to walk in its path. Mesmerizing and incomparable!

Strong and soft, this movie touches your heart unexpectedly via its emphasis on human relations. How we have become ignorant of our need to be around people and to live free of society conventions. How this internet-based, information-bombarded and careless world has made us into human-machines who need to work all day, be on their computers and ignore everything else. How have we become like that? Loneliness is our constant friend and we are afraid to be ourselves around people, sheltered from our own insecurities, blocked by our cyber-addicted brains. 

But wait, there is more. There is freedom even when you walk in darker paths, there is salvation from yourself and there is, purely and truthfully, Hope in its best form. This is what this movie is all about. A reminder that we people are tightly linked with each other and that we can change the course of our future by taking our own lives into our hands. Love is, after all, the answer to everything. 

You never really know where Hope will be hiding, the only thing you need to do is find and grab it!